Field Notes · Pricing

Pricing for the work, not the hour.

07 May 2026·Six-minute read·By Sam Wood

The hourly rate is a default, not a strategy. Most agencies adopted it because the first three clients asked for one, and never went back to ask whether it was still the right answer.

Every founder I work with has a story about a project that went sideways on hours. The work was fine. The client was fine. The internal accounting was the problem. Somebody on the team was a touch slower than the rate card assumed, or the brief expanded by twenty per cent, or the producer didn’t log time properly in week three, and the engagement quietly turned into a loss-leader by week six.

The reflex is to tighten the time tracking. Set up the scope-change emails. Run a weekly burn report. All sensible, and all symptom-treatment. The underlying issue is that you priced a deliverable using a cost-plus formula, told the client you’d trade them hours for money, and then tried to deliver value.

Three ways to price, in order of pain

Set aside the wholesale debate about whether time-and-materials is dead. It isn’t, and it has its uses. But there are three ways an agency can put a number on a piece of work, and they sit on a clean ladder of difficulty:

1. By the hour. Easiest to quote. Hardest to defend on the bad weeks. Your margin lives or dies on internal efficiency, which is almost never something the client cares about.

2. By the deliverable. A fixed price for a defined outcome. Better, but the work of estimating goes up, and so does the cost of getting the estimate wrong.

3. By the engagement. A monthly fee tied to a relationship and an outcome, not a list of tasks. The hardest to sell on day one, and by some margin the most profitable thing a small agency can do.

Golden wattle in close-up, soft late-summer light.
Golden wattle, late summer. The work compounds when you stop counting individual blooms.
The agencies pulling ahead are the ones who’ve quietly stopped explaining their pricing in hours, and started explaining it in outcomes.

What to look at before you change anything

If you’re thinking about moving up the ladder, don’t start with the rate card. Start with your last three proposals (won and lost) and answer four questions about each:

What did the client actually buy? Not what the SOW said. What was the thing they paid for? It’s usually clearer in retrospect than at the time.

What did you spend delivering it? Hours, yes, but also the meetings, the project-management overhead, the senior time you didn’t charge for. If you’re not sure, your timesheet system is the wrong place to look. Ask the people who did the work.

What did the client get out of it? Not the deliverable. The shift. The thing that changed in their business. If the answer is “we don’t know”, that’s your next conversation, not your next pricing change.

Would you do it again at the same price? Be honest. If the answer is no, the price was wrong, regardless of whether the engagement was profitable on paper.

The conversation that follows

What you’ll find, almost every time, is that two of those three engagements were quietly subsidising the third. The third paid a fair price for a real outcome, and the other two paid a per-hour fee for the same outcome and never quite covered the cost. The work to do isn’t to raise rates. The work to do is to look at the third engagement, and figure out how to sell more of that on day one.

It’s slower than a rate-card review. It’s also a lot more useful. And it’s where every conversation I have about agency pricing eventually lands.

Cheers, Sam

Sam Wood · OTTESU

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